The
next step in the process is to do a simplified Value Distribution Study
of the composition. Decide which
shapes fit into the light, middle and dark areas. This often happens when setting up the still life, but you
can decide if objects go to one area or another by squinting when looking at
the objects. This narrows the
range of values that you see, for instance, combining a number of middle values. When you have done several value study
thumbnails and found the one that best addresses the principles of design, add
the tones that make objects look three-dimensional: highlight or centerlight
area, body tone, body shadow, reflected light and cast shadow.
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